![]() ![]() ![]() When the titular duo manages to escape prison the crime lords tell Perret that they believe his plan didn't work and are going to send assassins to find them, and Perret belts out a borderline-whiny Big "NO!" in response that shuts them up and they never do it. The other crime lords end up agreeing as a result for the moment. Perret's response is that it's needed to make sure that Tango and Cash don't end up becoming martyrs amongst the other cops. Complexity Addiction: Perret's plan is absurdly complicated and it's lampshaded as such by the other crime lords that hear it when he proposes it.Combat Pragmatist: Cash, particularly the manner in which he dispatches The Dragon.Requin gets the drop on Cash, but immediately after Requin utters a one-liner, Tango gets the drop on him. *Click* Hello: Done twice in one scene where Cash is investigating Requin's house.The main plot involves them clearing their names. ![]() Clear My Name: Both protagonists are framed for murder and sent to prison.and then it turns out that Tango had been carrying it in an ankle holster all along, and so he uses it to Shoot the Hostage Taker alongside Cash at the climax. 38, which he uses throughout the first act and Cash derides as dinky (although Tango's showcased himself to be badass enough to not need any more gun) is forgotten about after that. Cash's backup weapon is used to frame him.Nobody mentions they're identical in appearance (well, aside from different haircuts). Celebrity Paradox: Tango, Sylvester Stallone's character, disparages Rambo, whom he also played.His Establishing Character Moment includes a number of absurd devices that he is developing for LAPD or civilian use and are to be used for self-defense. Buddy Cop Show: The main characters are two rival cops who are both known as the best in the city and are rivals forced to work together to clear their names.Bring My Brown Pants: Requin wets himself when Tango tapes a grenade to his mouth during an interrogation.Actor Allusion: In the opening, Tango makes this remark:.They both agree on claiming their gun sights were off. Tango and Cash decide to shoot him on the knees simultaneously at the count of three, but when they get to "three" they shoot Perret dead center in the forehead ( very tight double-tap, too). Accidental Aiming Skills: Used as a Bond One-Liner at the climax, when Perret is using Katherine as a Human Shield.'80s Hair: A massive afro-like mullet worn by Katherine.It doesn't take long before they realize they're going to have to put aside their differences and work together in order to get even with Perret and clear their names, even if it ends up killing them. But when an arch-enemy of theirs, drug lord Yves Perret (Palance), decides to even the score and frames them for murder, Tango and Cash suddenly find themselves among the same prisoners they had put away themselves. The story centers on two rival Los Angeles policemen: dapper, straitlaced cop Raymond "Ray" Tango (Stallone), and aggressive, rough-around-the-edges cop Gabriel "Gabe" Cash (Russell), and their attempts to outdo each other. Pollard, Robert Z Dar, Michael Jeter, Edward Bunker, and Clint Howard. FUBAR is also the title of a 2002 Canadian mockumentary.Tango and Cash is a 1989 action comedy film directed by Andrei Konchalovsky, and starring Sylvester Stallone, Kurt Russell, Jack Palance, Teri Hatcher, Brion James, Geoffrey Lewis, James Hong, Michael J. Snafu is also used in the Illuminatus trilogy and in the Private Snafu series of World War II cartoons.Įxcept in military and computer sciences/hacker communities, the word fubar had fallen out of use since the 1960s but has enjoyed another resurgence since it was used in the movies Tango and Cash (1989) and Saving Private Ryan (1998). There is some folk etymology that links fubar to the metasyntactic variable, foobar. They had to report the situation at arrival to the scene, often on a very bad line, so they developed these acronyms to make themselves understood. It is pronounced with a soft cht, and probably made the transition during World War II because foo had been popularized in American culture, appearing in a 1938 Warner Brothers Daffy Duck cartoon and the comic strip Smokey Stover.Įlectronics engineers say that snafu and fubar were used before the war by repairmen sent out to repair phone booths. FUBAR likely had its origins in the German word Furchtbar, meaning frightful, or terrible. ![]()
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